Amplifier Distortion |
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Amplifier Distortion
From the previous tutorials we learnt that for a signal amplifier to work correctly it requires
some form of DC Bias on its Base or Gate terminal so that it amplifies the input signal over its entire cycle with
the bias "Q-point" set as near to the middle of the load line as possible. This then gave us a "Class-A" type amplification
with the most common configuration being Common Emitter for Bipolar transistors and Common Source for unipolar transistors.
We also saw that the Power, Voltage or Current Gain, (amplification) provided by the amplifier is the ratio of the peak
input value to its peak output value. However, if we incorrectly design our amplifier circuit and set the biasing Q-point
at the wrong position on the load line or apply too large an input signal, the resultant output signal may not be an exact
reproduction of the original input signal waveform. In other words the amplifier will suffer from distortion. Consider the
common emitter amplifier circuit below.
Common Emitter Amplifier
Distortion of the signal waveform may take place because:
- 1. Amplification may not be taking place over the whole signal cycle due to incorrect biasing.
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- 2. The input signal may be too large, causing the amplifier to limit.
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- 3. The amplification may not be linear over the entire frequency range of inputs.
This means then that during the amplification process of the signal waveform, some form of
Amplifier Distortion has occurred.
Amplifiers are basically designed to amplify small voltage input signals into much larger output
signals and this means that the output signal is constantly changing by some factor or value times the input signal
for all input frequencies. We saw previously that this multiplication factor is called the Beta,
β value of the transistor. Common emitter or even common source type transistor circuits
work fine for small AC input signals but suffer from one major disadvantage, the bias Q-point of a bipolar amplifier
depends on the same Beta value which may vary from transistors of the same type, ie. the Q-point for one transistor is
not necessarily the same as the Q-point for another transistor of the same type due to the inherent manufacturing
tolerances. If this occurs the amplifier may not be linear and Amplitude Distortion will result
but careful choice of the transistor and biasing components can minimise the effect of amplifier distortion.
Amplitude Distortion
Amplitude distortion occurs when the peak values of the frequency waveform are attenuated causing
distortion due to a shift in the Q-point and amplification may not take place over the whole signal cycle. This
non-linearity of the output waveform is shown below.
Amplitude Distortion due to Incorrect Biasing
If the bias is correct the output waveform should look like that of the input waveform only
bigger, (amplified). If there is insufficient bias the output waveform will look like the one on the right with
the negative part of the output waveform "cut-off". If there is too much bias the output waveform will look like
the one on the left with the positive part "cut-off". When the bias voltage is too small, during the negative part
of the cycle the transistor does not conduct fully so the output is set by the supply voltage. When the bias is
too great the positive part of the cycle saturates the transistor and the output drops almost to zero.
Even with the correct biasing voltage level set, it is still possible for the output waveform
to become distorted due to a large input signal being amplified by the circuits gain. The output voltage signal
becomes clipped in both the positive and negative parts of the waveform an no longer resembles a sine wave, even
when the bias is correct. This type of amplitude distortion is called Clipping and is the result
of "Over-driving" the input of the amplifier.
When the input amplitude becomes too large, the clipping becomes substantial and forces the output
waveform signal to exceed the power supply voltage rails with the peak (+ve half) and the trough (-ve half) parts of
the waveform signal becoming flattened or "Clipped-off". To avoid this the maximum value of the input signal must be
limited to a level that will prevent this clipping effect as shown above.
Amplitude Distortion due to Clipping
Amplitude Distortion greatly reduces the efficiency of an amplifier circuit. These
"flat tops" of the distorted output waveform either due to incorrect biasing or over driving the input do not contribute
anything to the strength of the output signal at the desired frequency. Having said all that, some well known guitarist
and rock bands actually prefer that their distinctive sound is highly distorted or "overdriven" by heavily clipping
the output waveform to both the +ve and -ve power supply rails. Also, excessive amounts of clipping can also produce
an output which resembles a "square wave" shape which can then be used in electronic or digital circuits.
We have seen that with a DC signal the level of gain of the amplifier can vary with signal amplitude,
but as well as Amplitude Distortion, other types of distortion can occur with AC signals in amplifier circuits, such as
Frequency Distortion and Phase Distortion.
Frequency Distortion
Frequency Distortion occurs in a transistor amplifier when the level of amplification varies
with frequency. Many of the input signals that a practical amplifier will amplify consist of the required signal waveform
called the "Fundamental Frequency" plus a number of different frequencies called "Harmonics" superimposed onto it. Normally,
the amplitude of these harmonics are a fraction of the fundamental amplitude and therefore have very little or no effect on
the output waveform. However, the output waveform can become distorted if these harmonic frequencies increase in amplitude
with regards to the fundamental frequency. For example, consider the waveform below:
Frequency Distortion due to Harmonics
In the example above, the input waveform consists a the fundamental frequency plus a second harmonic signal.
The resultant output waveform is shown on the right hand side. The frequency distortion occurs when the fundamental frequency
combines with the second harmonic to distort the output signal. Harmonics are therefore multiples of the fundamental frequency
and in our simple example a second harmonic was used. Therefore, the frequency of the harmonic is 2 times the fundamental,
2 x f or 2f. Then a third harmonic would be 3f,
a fourth, 4f, and so on. Frequency distortion due to harmonics is always a possibility in amplifier
circuits containing reactive elements such as capacitance or inductance.
Phase Distortion
Phase Distortion or Delay Distortion occurs in a non-linear transistor
amplifier when there is a time delay between the input signal and its appearance at the output. If we call the phase change
between the input and the output zero at the fundamental frequency, the resultant phase angle delay will be the difference
between the harmonic and the fundamental. This time delay will depend on the construction of the amplifier and will increase
progressively with frequency within the bandwidth of the amplifier. For example, consider the waveform below:
Phase Distortion due to Delay
Any practical amplifier will have a combination of both "Frequency" and "Phase" distortion together with
amplitude distortion but in most applications such as in audio amplifiers or power amplifiers, unless the distortion is excessive
or severe it will not generally affect the operation of the system.
In the next tutorial about Amplifiers we will look at the
Class A Amplifier. Class A amplifiers
are the most common type of amplifier output stage making them ideal for use in audio power amplifiers.
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